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Kaloma became an icon of the mania for western collecting that grew through the 1980s and escalated dramatically in the late 1990s. Additionally, the image was used in another book, Wyatt Earp's Tombstone Vendetta, published by Talei, and also in Pioneer Jews, Houghton Mifflin, 1984.

Questions about the historical accuracy of I Married Wyatt Earp, and the attribution of the cover photograph of Kaloma, began to arise by the mid-1990s. Auctions in Burlington, North Carolina in a December 6 1996 sale. In all instances the image was identified as Josephine Earp.” As prices rose, the number of auction sales of Kaloma soon began to rise significantly.

Rival camps have formed, each with clear impressions about the accuracy, or lack thereof, depending on your beliefs and alliances.

Speculation may be based on interpretation of available evidence, on emotional reaction to a photograph, or desire to "trim"a piece of the puzzle of history to make it fit.The following month, MAD published a response to the Ackerman letter by Bob Raynor of H. The Sotheby’s catalog saw broad distribution and was frequently cited as the source used to "identify" Kaloma images as Josie Earp in many subsequent auction and dealer sales.-Josephine Earp was born in 1861 and would have been 53 in 1914.In 1914 a vignetted image of a beautiful young woman boldly posed for the camera in a sheer gauze peignoir became popular.Titled "Kaloma," it was originally produced as an art print. Also in 1914, the image appeared on the cover of "Kaloma, Valse Hesitante (Hesitation Waltz)" composed by Gire Goulineaux and published by the Cosmopolitan Music Publishing Company, 1367-69 Broadway, New York.Unsupported tales of bar owners or those in attendance when the image was supposedly made have been used to rationalize the Kaloma image as a portrait of Josie Earp.